Liz Nofziger, AIR 2006

STATEMENT OF PURPOSE

Liz Nofziger building
Liz Nofziger is currently working toward a new large-scale site-specific installation for Columbia College’s Glass Curtain Gallery in March 2007. Designed by William Le Baron Jenney (widely considered to be the “father of the skyscraper”), the Ludington Building (1890-91) is his earliest-surviving, steel-frame building in Chicago. The structure was commissioned by Mary Ludington to house the American Book Company and currently is a major part of the Columbia College campus, housing, among other facilities, the Glass Curtain Gallery and the Center for Book and Paper Arts (an appropriate return to origin).


During her AIR residency Nofziger aims to thoroughly examine, document, develop, and challenge her process of working site-specifically, with this exhibition as the outcome. Since a first site-visit in June, she has been compiling information on Jenney and the space itself, considering its various histories within the context of current events, and thinking about the viewer’s experience within the space. By compiling an in-depth documentation of the development of a large-scale site-specific work Nofziger will create an important experimental trace element. It will serve as a type of evidence that reveals and solidifies the sometimes circuitous, and often invisible, paths of investigation and planning.


Liz Nofziger is a Boston-based multimedia artist who received her MFA from the Studio for Interrelated Media department at Massachusetts College of Art. Raised in a Mennonite community in rural Indiana, she lapped up the vulgar, showy world as soon as she caught a glimpse of what she might be missing out on. Her work has been shown nationally and internationally, most recently at Kult 41 (Bonn, Germany), The Boston Sculptors Gallery (Boston, MA), The Cheekwood Museum of Art (Nashville, TN), Montserrat College of Art (Beverly, MA), the Sante Fe Art Institute (Sante Fe, NM), and at the Contemporary Artists Center (North Adams, MA). Nofziger has received numerous prestigious nominations and awards, including funding from The Massachusetts Cultural Council and the St. Botolph Club Foundation. She will exhibit new work at Vox Populi (Philadelphia, PA) in Fall 2006, and is currently working toward a large-scale solo exhibition in the Glass Curtain Gallery at Columbia College in Chicago in Spring 2007.

www.nofzilla.com


Liz Nofziger Project Journal

Liz Nofziger earth corePosted: October 9, 2006

settling into the Berwick studio now...it takes time to get comfortable. fantastic to have space again after being without since Feb.

my goals for these 10 weeks are very broad (finding a way to examine/evaluate/challenge/improve/capture my process of working site-specifically) while being specific to the particular project at hand: the approaching exhibition at Columbia College this March. I'm having some difficulty articulating distinct, or clearly attainable, goals in the vast, unpredictable, spontaneous realm of process, but am working to discover/define these by delving in.

So, I'll begin to break it down, noting the process thus far:

- site visit in june...met w/ director and preparator. incredible to have such an opportunity and people who are willing to allow for so much openness and support. will have the opportunity to work w/ student assistants...must consider this as I develop a plan.

- on-going research into the physical and psychological natures of the site, its architect, its past and current uses

- the dreaded title request....this always comes long before I'm prepared, but somehow pushes the development along:

Dear N,

since yesterday was a holiday i took the liberty of deciding that today was fine for sending the exhibition title.

Here's what i'm thinking, and some background. please let me know what you think...if it conjures up any immediate, unsavory reactions, let me know:

Core
a new site-specific installation by Liz Nofziger
(this is sort of a sub-head...not really part of the title but maybe useful in descrip?)

This word is interesting and pertinent in an array of ways while being open enough to allow great flexibility:
-simply meaning the central, innermost, or most essential part of anything.
-as a verb, meaning to remove this essence
-anatomy— heart
- central portion of the earth, beg. at 1800 miles below surface
-computer science—memory/RAM
-magnetic core/electricity/
-geology-a cylindrical sample of earth/rock/etc. extracted to study the strata undisturbed
-physics...core is where fission occurs (like in a nuclear reactor)
-term used in various ways in ropemaking, anthropology, mettallurgy, carpentry, phonetics, etc.
-core or kore (kohr-ee) is in greek antiquity the sculptural representation of a young woman, esp. produced prior to 5th century. Also, Core is another name for Persephone in classical mythology, esp. as symbol of virginity.

-looking into the building's past and current uses (core sample to build upon)
-thinking of the earth's core after seeing amazing lava flow in hawaii...got some great footage too which may play a role
-am planning to play w/ scale and can imagine having various centers/cores revealed from different perspectives.
-little bit biological, little bit sci-fi
-thinking of how to incorporate physical vibration...referencing presses and the architecture spec. designed for this, and maybe the unstable/passionate/slightly unpredictable core

This is all quite ambiguous at the moment, but i'm starting to think about clear/concrete direction. I'm going to get into the studio at the berwick (the residency) earlier than expected, and the first thing i plan to do is make a scale model of the glass curtain to begin experimenting w/ ideas of how to transform the space...this scale model (either physically or in photos) may be part of the exhibit, and certainly, if funding comes through, the publication.

That second grant i'm going for is due soon. i'll send you a copy of my letter of intent FYI.

hope you had a good long weekend. best, liz.



- now at the Berwick I've begun a 1/2" scale model of the 2200 sq ft gallery....a real volume to experiment within

I'm trying to put my varied strains of research into visual form, allowing connections to emerge.

thinking toward my opening discussion...Liz Nofziger core collage

Journal - Oct. 18 2006

Posted: October 18, 2006

Liz Nofziger red and yellow
a good gathering last night at the opening despite the rain. was able to introduce myself and a look at some past site-specific projects and give a look toward what i'm investigating at the Berwick (while questionably articulate, was able to convey some idea nonetheless). was given good feedback and directions to look for others who've worked w/ vibration....artists (audio and visual), scientists, etc. I felt welcomed and supported...thank you.

this morning imagining physical ways to take/make sensual core samples of the building in the gallery space. sketches to come. also thinking of some raw material i've never managed to work into a project which may become part of this....a series of photos of my friend inside a chemical reactor (late night research laboratory intervention)—an 8 foot tall plexi tube w/ impellers, cleaned, filled w/ water and lit w/intense color. they're embryonic, erotic, test-tube, jello salad, scary, gorgeous. maybe the kore/korai preserved. we'll see.

last meeting i announced 2 concrete goals for myself to meet by next week, Oct. 24. I will present a physical vibration experiment, and some edit of the volcano/lava flow footage. evidence to follow.


Journal - Oct. 27 2006

Posted: October 27, 2006

Liz Nofziger tiny figure red dress
Time is passing too quickly. The conundrum of research as project continues...how to meet and discuss and be critiqued on loosely woven findings alone? I need to improve on articulating the connections that I see and want the viewer to find in the various strains of investigation.

As i discuss my progress and the process at the Berwick with Götz, he totally relates....as the one who continually witnesses my process, he is the one who usually wonders what the hell i'm heading toward and how to respond/give feedback.

The idea at the Berwick is to upset/disturb/reinvent/meddle with the process and see what happens. it's an experiment, and it may or may not be a success but i'll certainly learn something along the way.

so, an attempt at how to crystalize some of the nebulous research/thinking/gathering: for our next meeting, I'll have a physical (in the scale model) and/or drawn representation of how the concrete installation could look. this will force me to make hard (tho' momentary) decisions and i will need to be able to explain why i edit and construct as i do.

and i may have a completely different rendering of another outcome at the following meeting. by fleshing ideas out to a more developed stage, I'll have to decide more/learn more, and will provide something actual to discuss.

back to work...